These are the shots of my foreground for my poster of AVATAR.
1st photo
This is the original and unedited studio portrait of my subject. It was taken on a 50D with a 85mm lens and with a perfect white background set at f22. A soft box was used to illuminate the subject from the above the subject to provide a soft and even amount of light to fall upon the subject. The perfect background white was produced in order to make it easy for me to cut out the subject from the photo during the next block of digi imaging. This was done by using two lighting attachments which were pointing from the right and the left of the white background and were suitably adjusted so as to provide a even f22 exposure. Two reflectors placed either side ensured that the subject maintained the correct exposure from only the soft box and not to get any reflectance from the background. A make up artist painted the AVATAR look onto the model , with a variety of make up equipment including a large slab of moulding wax to distort the nose shape of the model as in the original Na’vi (AVATAR) featured different shaped noses from our normal perception. The models hair was then tied back in order for easier editing in later stages and props including earings and hair extensions were included in order to relate back to the movie a bit more. After a few other make up touch ups were applied the model then took up their position within the frame and the photo was taken on f11 to allow enough seperation of the subject from the background. A few different poses and compositions were tried , however this turned out to be the most promising and moody.
2nd photo
With the original file obviously looking quite basic , i had to try find a way of making the model look more like the Na’vi from the movie. Therefore after research on the internet and watching of the film , allowed me to begin to construct and idea on how to approach the task.
The first thing that hit me about the Na’vi , was the massive eyes. In order for me to recreate this on my photo i searched for some method to increase the diameter of the eyes, and after some experimentation, i eventually stumbled across the liquify tab and within that the bloat tool. After some experimenting on how big each eye should be in order to maintain a natural perspective so as not to make the photo look so irregular, i eventually struck the right proportion. To fine tune this perpective the pucker tool was used to condense any irregularites. After increasing the hue and saturation of the eyes through means of a path, in order to turn them yellow and sharperning, the eyes i feel were finished.
Now the major retouching of the nose. Due to the moulding wax, the make up / paint found it difficult to adhere to the wax due to its wet consitancy. This left cracked patches on the connection of the nose to the models face. In order to rectify this a mixture of liquify , cloning and healing was applied, in order to lessen the extent of the cracking.
Last on the agenda was the areas where the make up wasnt evenly apllied , such as the neck , the lips and the ears. This was rectified mainly using the clone and healing tools , which allowed for these parts to be filled in with surrounding make up.
The image will be cropped below the hairline and the chin in order to fit in with the background which later was found out to look better in landscape format.
The orginal image was then flipped to atain what would be the best postion for the image. It turned out that by flipping the image horizontally, the image perpective looked more natural, therefore the final image has been flipped.
After some hue/saturation and levels changes in order to increase the contrast and the vibrance of the cyans and the blues on the face, the image was complete.




